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I've decided to release the preliminary version of the soundtrack which includes a special remix of Journey's "Any Way You Want It" produced specifically for "Rise Of The Virals". Perhaps that is why we've seen sites like Flynn Lives creep up in anticipation of the new film. It is obvious to me that "Tron: Legacy" takes place after "The Rise Of The Virals" without abandoning its first concept. I have been most excited to see the announcement of the third film, the new "TR2N" (Tron: Legacy), especially with the involvement of those who will be creating the new soundtrack. Funding for the project was eventually pulled. After the completion of the initial tracklist and first production draft of the soundtrack, it seemed as if negotiations between Pixar and Disney had broken down. My task was to compile great underground artists to create a new soundtrack for this darker world of Tron. Furthermore, the story included the death of Flynn and presented questions about the digital life of programs lasting beyond the mortality of their creators - the users.
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It involved updating the ENCOM universe to a networked system (thanks to the Internet), but also created a darker world - full of programs abandoned as buggy systems (or "mutants") and abused by corrupt users as viral systems. "Rise Of The Virals" was a fantastic, but much darker storyline from the original - different from the "Into The Machine" pitch made to Disney by another party. As I understand it, the film was kept in great confidence with the producers as Pixar was still in negotiations with Disney about the responsibilities of the production teams. A draft of the story had already been written and early filming had begun (as reported by ZDNet on July 27, 1999). In late 1998, I was commissioned to compile and produce the soundtrack for a sequel to the film "Tron".
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I like physical media, dammit :) Not sure why Encom Part I and Encom Part II have switched places on the numerical running-order, but obviously you can edit that if you please - that's one advantage of this being a digital download album, I suppose.2nd February 2011 - The album is now FREE to download again although any and all contributions are gratefully received and will be pumped straight back in to keeping the project alive. The only way I could be happier with this is if the "Complete Edition" was released on Blu-ray audio instead of digital download being your only option.
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The store-exclusive tracks benefit especially from the upgrade to 24-bit audio, having previously only been available as lossy MP3 files. The "bonus" tracks are on par with anything from the main album and belong with it.
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I just wish the quality control was a little better on these Target releases.Ī superb soundtrack which benefits from 24-bit presentation and finally collects all of the released tracks (bar the "Reconfigured" album of remixes) together in one place, comprising the main album (22 tracks), plus the 5 tracks which were held back for a second CD in the Special Edition, and the 4 other tracks which were scattered around various digital music storefronts as exclusives. As others have said - if there is any compression used it is not audible, so I'm not sending back my copy. I will say though that the quality of the recording is excellent with clear thundering bass and no noticeable sibilance on the inner tracks. For me it is not overly distracting, but I have records with this kind of music as well as a lot of classical records that are absolutely dead silent - some of those even from the 70s, so it's a bit disappointing really. Cleaning made little discernable difference.
Not only is there a lot of crack / pops considering that it's brand new sealed vinyl, but there's an odd low soft pphhhh wave sound that is apparent in some parts of the record - almost as if the pressing plate itself had a defect(?). Because of the antistatic sleeves and the handwritten id's in the runoff area, I think this the non-Canadian pressing. The target exclusive pressing is what I purchased, and as others have mentioned it seems to be a bit noisy.
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